Seven Days in the Art World | 
 enlarge | Author: Sarah Thornton
Publisher: W.W. Norton Co.
Category: Book
List Price: $24.95
Buy New: $15.99
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Avg. Customer Rating:  6 reviews
Sales Rank: 1049
Media: Hardcover
Number Of Items: 1
Pages: 256
Shipping Weight (lbs): 1
Dimensions (in): 8.3 x 5.7 x 1.1
ISBN: 039306722X
Dewey Decimal Number: 709.05
EAN: 9780393067224
ASIN: 039306722X
Publication Date: November 3, 2008
Availability: Usually ships in 1-2 business days
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Product Description
pstrongstrongA fly-on-the-wall account of the smart and strange subcultures that make, trade, curate, collect, and hype contemporary art./strong /strong pThe art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion./pp /pIn a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of emArtforum/em magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture./p/p
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 Balanced insights into the art world January 6, 2009
This book is an excellent introduction to the art world and its dynamics, and players. Sarah Thorton has applied, as she states, an ethnographic approach. This provides an opportuntiy to draw on the views of participants and present the diversity of opinions, while also bringing her own views of the industry drivers and dynamics. The references to the decisions of collectors, and how they approach ensuring ongoing value of their collections is well expressed. The subject of contemporary art, and its markets and its apparent expansion in the last ten to twenty years is particularly interesting in the current environment in which all investment markets are being challenged.
 Interesting Read December 31, 2008
Although I thoroughly enjoy Sara Thorton's approachable writing style, and her views on the art world, I couldn't help but feel that sometimes she was overly sarcastic or jaded about certain aspects. Her approach is second to none, and I found it incredibly intriguing how she viewed her material as an anthropologist or sociologist would, however I felt that some of it was misguided. Although I am really only familiar with the auction world, having interned for sometime at one of the top houses, I felt that although the contemporary art world is incredibly confusing and most of it needs to be taken with a grain of salt, that perhaps she was overly critical of certain aspects.br /Overall I would say that this is a very interesting read, and possibly a good starting point for entry into the often confusing, rather closed art world, I would not take all her sentiments and statements for more than they're worth. It's a good read, and offers some interesting points of view, but there is so much more to the art world than what she offers.
 Fine Picture of the Whole Art World December 17, 2008
From the fringes, I have experienced some of what this book describes, so, I suspect the other scenarios are also accurate. This compelling narrative, in shooting significant detail from seven different angles, creates a coherent, dynamic picture. I tell everyone who asks me about the art world, "well, here's what I know; but, read Sarah Thornton's book."
Excellent guide to today's wacky art world November 26, 2008
7 out of 7 found this review helpful
This is, hands-down, the single best guide for outsiders to the inner life of the art world, from the fledgling artists hoping to make their mark to the affluent collectors and the dealers, curators and advisors who surround them. br /Her structure is carefully chosen and works beautifully -- breaking the art world down into seven parts, each devoted to a specific group or dimension (the auction, the studio visit, the art fair, etc.), she sheds light on the characters and issues that arise in the context of each. There is enough overlap to make this structure function -- for instance, we encounter gallerists Jeff Poe and Tim Blum first at ArtBasel, then rejoin them as part of her chapter on visiting Takashi Murakami's studio(s), where Poe and Blum discuss an upcoming retrospective with the artist and museum curators. To me, the most intriguing and enlightening part of this structure was the way it shifted, from one chapter to the next, from a view of the art from the outside (the perspective of the collector or the critic, say) to the inside (the creative process itself.) So, a chapter about the "crit" process at CalArts is followed immediately by one about the vast artworld schmoozefest that is ArtBasel (with the NetJets booth and the omnipresent champagne).br /Thornton has an eye for that kind of telling detail that only the best journalists possess and a knack for knowing (most of the time) how to use it best. For instance, in the studio visit chapter, she spots the passports of Blum and Poe are crammed full of visas and entry and exit stamps -- not just a random observation but one that reflects the global nature of the art market itself, which requires its participants to dash from visiting a collector in Russia to an art fair in London and on to visit a studio in Beijing. The only downside of this "ethnographic" approach is that sometimes the details that she observes and includes as a result of this feel less useful -- we don't care how heavy her handbag begins to feel at ArtBasel, or how the Japanese car drivers in Toyama jump to open doors for visitors so that no fingerprint mars the shine on the car. br /I've attended a number of Christie's auctions, stuffed into the uncomfortable press section that Thornton describes so accurately, and watched the bidding process. Reading this section, I felt as if I were back there again, experiencing the moments of boredom and tension that she chronicles so compellingly. There is no disconnect between my experience and her portrayal of it -- just additional level of background detail that I had never appreciated before (such as the fact that Christopher Burge has nightmares of being caught naked or without his sale "book" in front of an audience of a thousand angry would-be bidders). br /The only area in which Thornton fails to deliver is describing the creative process itself in a way that the average reader will find comprehensible and compelling. But that, I suspect, is as much due to the inherent difficulty of discussing a visual art in words -- certainly, the young art students she profiles struggle as much themselves to do just this.br /What impressed me the most -- in addition to the high level of reporting and writing -- was Thornton's ability to weave a path through all the politics and ego that fills the art market (and makes comparable nonsense on Wall Street and in Washington look like child's play in comparison...) Even as she chronicles the auction scene, she doesn't get caught up in the buzz and excitement or fall victim to the too-easy trap of criticizing people for being willing to pay outrageous sums for works of art. She addresses those concerns, most effectively in an anecdote where one collector, charged with selling her parents' immense collection to create a charitable foundation, muses on the auction process: "It's been a real loss of innocence... When you think of all the good that money could do... Nobody in the auction room thinks about that." But Thornton doesn't dwell on that, any more than she succumbs to the gushing that is all too often part of the art market. It's an admirably balanced portrayal.br /All in all, a tour de force.br /Anyone looking for more insider-y glimpses of the art world might turn to Collecting Contemporary, by a major collector, or to a novel penned by the wife of a hedge fund manager who is a force of sorts in the New York art scene: Lulu Meets God and Doubts Him.br /
A Week of Art November 6, 2008
11 out of 11 found this review helpful
Those interested in entering the frenetic international art world, or simply interested in its current goings on, should buy and read Sarah Thornton's book.br /br /It coupled with "The $12 Million Stuffed Shark" by Don Thompson would be a great two volume present for any aspiring artist, museum curator, or art-gallery owner of your acquaintance.br /br /Ms. Thornton has a good ear for dialogue and a sharp eye for the telling detail. She, while quite capable of the pointed comment, is obviously fond of most of the various people who derive their living from art at the edge and is quite respectful of their work.br /br /(I personally would much rather possess one of J.M.W. Turner's paintings rather than any two of the art works by recent Turner Prize contestants. The Turner Prize contest being described on one of the seven days referred to in this book's title and named for the great English painter of seascapes.)
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